Holy Hell, Samurai Gunn kicks ass.

Every so often, a game comes along that combines the simplistic elements of yesteryear, the smooth action functions of a modern game, and a multiplayer option that wraps it all up so perfectly, you find yourself in a 5 hour game-off with everyone in your house. See all those awards surrounding Samurai Gunn's logo? Yeah, they are there for a reason: This game fucking rules.



Teknopants' Samurai Gunn doesn't really have a plot or a story behind it. The lightning-fast arena combat game is a battle royale set in mythical feudal Japan, complete with a plethora of interesting looking warriors to play over an impressive amount of interactive stages. Each player begins at a spawn point within a given stage and winning is dependant on a decided amount of kills (default being 10). Reveling in it's simplicity, Samurai Gunn pulls no punches with special abilities, power-ups etc. The game relies solely on it's player's skill using limited controls, mastering the TWO weapons which every player is given, and channeling the samurai warrior within to execute his/her enemy.



Players are given both a sword and a gun upon spawning. The sword provides infinite slashing, but the gun is only equipped with three bullets per life. This is where things get a bit interesting because after killing your opponent, they return with a loaded gun. Carefully maneuvering around this balance of power and circumstance is the soul of Samurai Gunn. The game begins with a lot of piss and vinegar, players charging after each other, shooting wildly into the air. After a few deaths, however, the game evolves into a delicate dance in blood; for every movement a consequence. Players learn that even the slightest misstep could mean a rolling head or a fatal shot to the pixelated gut. That, or impalement by the various traps which decorate some of the higher difficulty stages.



One of the coolest features of Samurai Gunn is the showdown. If players reach a tie or victory is won by a one point margin, warriors are transported to a cinemaesque scene where there are no obstacles in the way of victory. It is typically a stage-themed, flat landscape, and no guns may be used. The nail biting anticipation of this segment is palpable. When victory is met, screams of joy from both parties are belted out. The love for Samurai Gunn's gameplay is present in the winners AND the losers.

Survival mode is a bit different. This game is certainly made for local gameplay, but if players want to enhance their skills, 1p mode is an okay way to do so. My only real gripe to survival mode is that players can't team up properly with each other. A large chunk of time was spent on trying to figure out ways to avoid my fellow player, kill black ninjas effectively, and claim victory for the BOTH of us. Not really possible. It's a one winner kind of engagement. Samurai Gunn will hopefully expand in this way. After seeing a lot of the critical reception, I am counting on a sequel or upgrade coming down the pipes. A lot of people are talking online options, potentially a build-your-own stage aspect. These are fantasies now but after the on fire reception, I can't imagine Teknopants not expanding.

[DOWNLOAD SAMURAI GUNN HERE!]

The quest for the Golden Nintendo Cartridge is guaranteed to give you a case of the feels....

"One Friday afternoon in 2010, Pat Contri got the Facebook message of every video game collector's dreams. A friend who worked at the local game store started texting him cryptic photographs of something a customer had just traded in.

He stared at the blurry, gray-and-green pictures. What at first looked like a row of shelves, he eventually realized, was a close-up of several exposed DIP switches. Just then, like a Tetris block dropping neatly into place, it clicked. Contri slammed his finger on the "Call" button.

"You better not be fucking with me," he said the second his friend Ian picked up. On the other end of the line, Ian sounded like he was hyperventilating."

[Read the rest of this glorious article from Chris Kohler on WIRED]

The Portland Gaming expo and swap-meet, YEEHAW!

Holy Toledo! Is that a near-mint PowerPad? Is that an original Dragon Quest 4?? Is that a fucking Vectrix?! We must be in some alternate universe of super wicked games an memorabilia!....Or in the convention room of the DoubleTree Hotel, downtown... Yeah, it's that one.



Welcome to the Portland gaming expo and swap-meet! Where classic gaming enthusiasts, nouveau-retro designers, and crafty nintendo-swag retailers collectively clean out their basements to bring you the best of our mutual memory space. Pacman doilies litter the tables, mint condition box art is preserved behind cases, it's just about enough to make you rob the place.



Never have I seen so many dusty Mario Bros/Duck Hunt splits. Whoever paid over .0666 cents for that game, post 1988 should feel like a complete asshole. Every table had at least 30 of them. That said, the games of rarity I found at some of these booths were unbelievable. UNOPENED Gumshoe copies for NES, 1st release Japanese Goemon games in box, Donkey Kong unopened (its right there in the pic!). Totally nuts. Some of these games top out at like $140 bucks. True collectors pieces. The one game I was looking for above all though, Dragon Quest 3 was scooped up a day before. Almost every major table had one copy for just under $300 (not unfair considering the consistently rising ebay prices of over $500 new..) which was apparently purchased by a "group of old men" within the first 3 hours of business. Creepy.





There was even a mods table! I got to play Super Mario World: Return to Dinosaur Land, one of the most celebrated mods of the Mario franchise. I didn't buy it but I vowed to dl and play it later on. Glad I did. Totally fun.

[Check out my new favorite Mario World Mod HERE]

Wicked Basement

Welcome to 8 bit hell.

Going to see Weedeater at Rotture on the 26th. You know what time it is...

Sludge Time.

[Weedeater- "And Justice for Y'all" full album]

---

[Weedeater- "God Luck and Good Speed"]

Featured indie developer: Cory Martin

We here in the deep, dark basement like to get sucked into a good game or two. Luckily, the newest Ludum Dare package has 25 sweet games to choose from, a few of them worth a play. One artist and developer, Cory Martin, from Tennessee caught our eye for this Ludum Dare with his game, "You Are Disabled".

Flung into a dungeon, players experience one of a few different randomly generated disabilities from the beginning of the game. Players may be crippled and move slowly, nearly blind and only see what is immediately surrounding them, they could be spastic and have little control over their character, or illiterate and not able to read the clue signs sprinkled throughout the game. My personal preference was illiteracy, given that most of the signs in the game are creepy insults. HOWEVER, in the spirit of personal challenge, I reset after playing through with illiteracy and tried every one. Lots of fun. 

As simple as the gameplay is, this game is 100% addictive. For fans of the Mario Bros dungeon aesthetic, that super fan of Bowser's castles and the underworlds, "You Are Disabled" delivers a fun and casual gaming experience. Strangely eerie music(?) plays in the background, sounding more like a dying internet modem than anything, players star as a shy-guy look alike who's only strategy is to overcome his disability by jumping (or crawling) across stages, avoiding hot lava. It seems pretty easy at first, but as the game progresses, players must master their timing and succeed against the odds. Bridges disappear, electrodes pop into existence, fireballs burst from their pools of magma. I liked this game so much that I played all of Irock's other games and for the most part, they were good too. My favorite of the 8 available on Stencyl was "Reaching Finality"…

"Reaching Finality" is that overhead adventure game you just can't help but love (or at least we can't). Like a more basic "Seedling", players begin with a vague quest, a direction to go and soon, a weapon in hand. Enemies pop up after a while, and soon you are in a dungeon fighting flying skulls and bats (what's the deal with gamers and bats anyway?). At first, RF moves a little slow. I remember thinking to myself, "Continue?" after finding a rake as my weapon instead of a sword (nasty flashbacks to Harvest Moon time wasting) but the different angle intrigued me. I am certainly glad that I didn't venture off onto another developer's site because the adventure which took place soon after acquiring my rake was quite fun. 

In fact, my true adventure started in the most classic of settings: The underground! Everybody is thirsty for a good dungeon sesh and in "Reaching Finality", that thirst is well quenched. It's an enjoyable, "Kill the baddies, get the key, open the door, kill the boss." cycle, which in truth, ends in one of the most fun mini-boss battles we have played on a web-based indie game. The only thing missing from RF is some nasty chip tune to glue it all together. Call me a purist, but in reality garage band type music seems to cheapen the experience of an 8-16bit game. I am aware that I am playing a web game thanks to the music and in effect, the game harkens back to some of the first to build bridges for sites like AlbinoBlackSheep or NewGrounds. The early days were flash, mostly pen style animation and with a "soft piano" rave song in the background. Shudder.

 I wasn't truly able to lose myself in the 8-bit ambiance OR the feeling of transcending web/flash to console, given the casio-esque tunes playing in the background. 

That aside, I had a lot of fun finding my way through Martin's version of a Zelda dungeon. The enemies were fun to kill (aside from the cyclops slime things…WAY too defenseless, felt like a dick.), the world became joyfully intricate, and the ending made me FEEL good about the game I just played. For this, we in the Basement say hats off to Cory Martin aka Irock and hope he makes more games in the near future!

[PLAY "YOU ARE DISABLED" HERE]

Wicked Basement Rating: 6/10

[PLAY REACHING FINALITY HERE]

Wicked Basement Rating: 5.5/10

20 years. Unbelievable.

To our friends at Id Software, we thank you.

doom1_0.zip

released

Dec, 10, 1993

[PLAY IT HERE]

"Under The Moon" builds a burning bridge.

This week, the ZX spectrum-styled indie game, "Under the Moon" made it's way into the Basement and caused a bit of a stir. From indie developer MNWS (Kodachrome, The Ruins of Machi Itcza, Super Phobia), UTM picks up where his earlier game "Nondevicer" seemed to leave off. Aside from the in-out functions of Nondevicer, Under the Moon maintains the gameplay style, sprites, and overall feel of it's predecessor.

Players begin the game as an unnamed hooded figure who seems to be having some romance issues. Dead silence evokes a strangely haunting feeling as you pass a woman who refuses to look in your direction, then an overpass with a view of the crescent moon, then into the bowels of a red dungeon where some delightfully eerie chip tunes begin to play. At first the game seemed a little droll. The hooded figure walks and jumps but players aren't given an attack option so really the name of the game becomes timing and balance.

As players advance, checkpoints become available, and rooms become harder. Death is not permanent but UTM will start the hooded figure at it's last save, creating incentive to move to the next room. At first, checkpoints are frequent, then they are every so often, then they are border line divisive. The relatively short browser-game (created in only a week) boasts about 4 different types of puzzle-rooms and quite honestly becomes very addictive. That said, I wasn't sure if I was playing in hopes more would happen around the next turn, or if I was legitimately into the game. Maybe a combo of both. During the last dungeon, the hooded figure collects four pieces of a heart key, opening a door back up to the over world. Once there, the game ends abruptly in a dreamy courtyard and a complete halt at a red wall. Sort of anti climactic. I felt as if MNWS didn't expect people to put up with the game until the end, so no real ending was written. THEN I found out that I could walk on the stars in the courtyard, make it back into the castle and have myself a proper ending. Phew, that was a close one.

The whole experience was a dreamy one. Under the Moon had me peacefully smiling, putting off dinner for a while in hopes of finishing strong, and reminding me of something I couldn't quite put my finger on… Then one of our resident nerds at the Basement asked me a simple question that shattered things a bit, "Are you playing l'Abbaye des Morts?! I love that game!"

Shit. Was I?

The playing style, the hooded figure hero, the early home-computer aesthetic, the mildly threatening projectiles, and slightly off-putting 8 bit music… Even the moon in which players were supposedly under seemed to be lifted from l'Abbaye (see above img), stretching the limits of the term "homage" to near breaking point. It seemed that the reason I enjoyed Under The Moon so much is because I had played it's more complex elder, l'Abbaye des Morts, a few years earlier. 

Homage, rip-off, learning experience, etc… The message boards weren't kind to MNWS. The more I read, the more it became clear that I wasn't the only one who drew the parallels between these two indie games. The trouble is, I still LIKE Under the Moon, even if it seems a lot like a game I already played. The whole puzzle-dungeon thing speaks to us here at the Basement. Quite honestly, if the developer were to elaborate on Under the Moon ---maybe add some enemies, a few weapons, a horrific sorcerer boss at the end of each dungeon, possibly even a town with NPC's and an items list--- they would be sitting on a golden experience. MNWS has a lot of room here to grow this game and I sincerely hope they do. Not just for curiosity's sake, but because Under the Moon will live in l'Abbaye's shadow for the rest of it's existence if they don't figure out a way to mix it up a bit.

"Under the Moon" gets a 3/10 from Wicked Basement.

[PLAY IT HERE]

Fuck Cancer.

["Blow Your Trumpets Gabriel"- Behemoth]

In-browser GameBoy sesh with Tiny Dangerous Dungeons...

In all honesty, I wasn't expecting much from Tiny Dangerous Dungeons. A game developed by Finnish designer Jussi Simpanen (aka "Adventure Islands)(developer of the earlier and awesome "Tiny Guns"), TDD did a great job at softly promoting it's release this month to a few flash websites in an extraordinarily modest fashion. Even on it's info page, Simpanen doesn't dress his new game up in a pretty bow, he doesn't even offer much of an incentive to play... It's a small backstory, directions for play and that's IT. The gameboy screenshots lure potential players in like mosquitos to a buzzing lightbulb, the praising comments spark curiosity, and once you have hit "Start Game" there truly is no turning back.

Playing TDD is like playing a game somewhere in between Kirby, Zelda, and Super Mario Land for GameBoy. Players star off slowly, learning controls as they move along a frog, bat, spider, and fish filled dungeon. At first there is no attack, then you find a sword, then a few other items to get things pumping.

 I am glad TDD embraced live-action playing rather than the countless "rogue like dungeon crawls" that have littered the internet this year. Upon hearing the title of TDD, I actually scrolled passed it thinking it was just another crawl for items, gems, and power-ups. I was totally mistaken. After your first acquired item, the game begins to move pretty quickly. Keys to locked doors, health upgrades, and even a Power Glove are hiding in various rooms throughout the dungeon. TDD moves players seamlessly from one objective to the next, without having to spell it out OR abandon the player. 

Checkpoints are throughout Tiny Dangerous Dungeons and they should be used as frequently as possible. Death is frequent and when Little Timmy dies on his adventure, he loses all the great stuff he found along the way. A lot of commenters seemed to blame control issues on their frequent death, but I found that when you die in TDD, the only person to blame is yourself. When I plugged in my USB NES controller, gameplay was super smooth. 

Along the way, TDD is not always cutely retro. The darker side of nostalgia comes out in the pretty tough puzzles involved in getting to that next stage. Keeping in mind that your weapons aren't JUST for killing and not all tranquil settings are as they seem is paramount in finding your next gate. Without revealing too much, toward the end of the game I was looking for a very well hidden key amongst attacking enemies and seemingly endless dungeon stages. I must have passed this very secret hiding place in my search a million times before noticing the "watermark" that I was looking for and once I found it I actually screamed out "OH FUCK YOU! FUCK THESE DEVELOPERS!!!"

Of course everyone here in the Basement had a good laugh because in reality, it was right in front of my face the whole time. Don't be so mission focussed. Look for the easter eggs. Adventure Islands has done a stupendous job at really stretching this map's potential.

So give it a whirl. Tiny Dangerous Dungeons has quickly risen to one of our favorite under-an-hour platformer challenges yet. It's got great style, classical gameplay, and a format that turns a mini-adventure into an unforgettable one.

[Play it HERE]

Splatterhouse cabinet at Ground Kontrol!

Portland is home to many great things. Ground Kontrol, a bar-cade located in the heart of downtown, is certainly one of them and this October they added a completely CUSTOM "SplatterHouse" cabinet to their floor. Wicked Basement stopped by and played this monster of a cab and it was just as badass as we imagined…

So if you haven't read our "Wanpaku Graffiti" post, SplatterHouse is a hack n' slash platformer that made parents shit bricks back in the ol' days due to the gory/violent content of the game. Released first in Japan in 1988, players don the "Terror Mask" and play as Rick, the kill-em-all badass with a golden heart. It's a typical "find your girlfriend after killing an assload of monsters" game, so we won't spend too much time on the plot. Just kill everything, alright?

First and foremost, hats off to the designer of this custom cabinet. Just look at that femur joystick, those eyeball buttons, the broken-wood panels! The control panel itself is made of a cushy foam, painted to bloody perfection so to give you that extra gross feeling. Genius. As with most great things, some amateur hour douche bags had already picked the "M" of of the Jump button and scratched into the flesh of the panel. These pics are from the week this cab was dropped! This is why we can't have nice things, kids. Cue, "Kill Em' All".

The game itself works great. One would think playing with an actual bone would hinder movement but it was actually really nice. The groove in the top of the femur locked my middle finger into play and it was a hack-fest from then on. As I was playing, a line began to form behind me, half spectators, half players-to-be. It was a great experience all around. A game over would occur and the next person would pony up a quarter to finish where you left off. The line became one long play to the end, magical.

So hats off to Ground Kontrol for this great new addition. Word is, they have just added a Black Tiger machine, so I am sure we will be checking it out this week. 

Play the game here online and if you live in Portland, be sure to stop in and throw some quarters into this beast!

[Play it HERE]

Frog Sord! It's a jumpy-slicey-spikey-good time….Or will be anyhow.

So "Frog Sord" is a game in development from MECH6 and some of the leaked gifs look just awesome.

What can be assumed about Frog Sord thus far is that it's a game about a frog who slices through enemies, jumping from platforms and sticking to walls in a combo reminiscent of Super Meat Boy, Super House of Dead Ninjas, and Ninja Gaiden. 

Looks great. If they open a KS, Wicked Basement will undoubtably be on the donor list.

Hope to see more from these guys, check out their site and keep up with the game!

Welcome to the Basement.

-666-

Holy Dhul Fiqar this game is good.

Rarely does a game make me drop everything I am doing, RUN into the next room, grab my USB controller, shout uncontrollably at my room mates to come sit down so that I can show them the most righteous new game I just found online. Rarely do they then go grab their laptops and creating a circle, we all play the same game on separate computers, laughing and shouting and longing for more…

Developer Will Blanton, who goes by 01010111 has created these rare occurrences. His game DhulFiqar (named after the mythical Islamic sword once wielded by the son of Mohammed, Ali) is a simple, yet extraordinarily nuanced experience which follows the likes of Ninja Gaiden and Super House of Dead Ninjas. Players glide through a mysterious board filled strange crab-like enemies that shoot projectiles when approached. This is immediately remedied by hacking through them with your legendary sword. Enemies give you experience points, and with them you purchase Health and/or attack upgrades. At first this game seems like a pretty straight-forward hack n' slash, but give it time and it becomes as technical as an old Samurai show down. Players will find that their initial instinct to blow through stages, cutting at their surroundings will only send them to a continue screen faster.

The only drawback to this game (and it is an extraordinarily heavy drawback) is that it is too damn short. After the first boss battle, the screen flashes and it is assumed that you have won. But….But….I got all the way up to Lvl. 9!!! I killed and killed to get ready for the white cloaked boss battle! I was there mannnn I was therrreee!!!

Alas, I have played it through a few times and yes, this is the end. Judging by it's release date ( a few weeks ago )I would say that this magnificent little jewel is still on it's way. We can only hope so, there is SO much potential here. Parrying moves, upgrades, bosses, enemies, this game could be limitless.

Wicked Basement gives the current version a 10/10

In love.

[PLAY IT HERE…no seriously.]

Shovel Knight looks too cool.

As Shovel Knight reaches the end of pre-production, we tear up at how awesome this game will be…

[Check it out!]

Elliot's Meh.

 

So this week I played Ansimus Games' "Elliot Quest" and amongst all the positive reviews it has been getting I have to say that this Alpha funding stage Zelda II homage didn't quite live up to the hype surrounding it. Elliot Quest begins on a vast island in which players explore, level up, and battle through an array of territories which on their face, seem interesting. Players are initially given only a bow and arrow set (unlimited) and throughout the game achieve weapon/skill unlocks and spells to aid in future battles, none of which are really talked about by NPCs or informative to the player. You are just supposed to figure it out as you go, I guess.

Most of the territories in Elliot Quest have a purpose but are a bit daunting in their make up. Enemies don't really seem to get harder and the bow never really receives much of a power up. In the demo version, players level up and Elliot's aim improves drastically, but in the $4.99 alpha version, players are plagued with dead on hits to a given enemy which read "MISS". This mistake was literally the WORST part of the much hated N64 game "Quest 64". Stand next to enemy, hit enemy, game registers hit as a miss. No real rhyme or reason here, just a miss. Players can go from firing arrows at such precision that they are opening gates via arrow while free falling, yet when a slime attacks they have suddenly fumbled their shit. I don't think so. 

[Quest 64 mechanics revisit to annoy in Elliot Quest]

Another issue I had with this game is that it never really gave me any incentive to keep playing. Not a conversation with a dying warrior, no cryptic clues or warnings of upcoming bosses, nothing. It felt sort of empty in a way. Like I was just enjoying the aesthetics of a retro game without really having a particular mission at hand. Elliot Quest has all the makings of a great game-to-be, but never really makes me WANT to play it aside from simple curiosity. Most worlds have sort of a confused objective and when players receive their eventual plunder from a given area, it just seems a little late in the game. Then again, because there is no set objective, the term "late in the game" holds no meaning. Why should I achieve double jump (wings) before a host of crystals I know nothing about? Why should I expect items that are more meaningful from extraordinarily hidden chests? How has the SHIELD avoided me this whole time?!

Elliot Quest never really answers these questions and yet, somehow you keep playing.

I can't be too hard on Elliot Quest because as Ansimus Games warned me, it is in early stages and "doesn't reflect the final quality"(even on the payed version for extra warnyness…). The positive elements of this game are self evident. Great visual experience, gameplay is light, music (by Michael Chait) has nostalgic SNES flair, there is room to grow as a player, boards can be challenging, bosses are fun. That all said, Elliot Quest has a ways to go before I will purchase another version. The Alpha, in all honesty should have been the browser demo. I was delighted by a lot of this game, but I couldn't help but feel like I was consistently wanting more from this world. Hopefully Ansimus will deliver on the final version.

 So check out the Elliot Quest website, try the demo and pay the $4.99 alpha price to experience this game . I wouldn't say it was a complete loss. Hopefully more reviewers can see past the obvious when it comes to Elliot Quest, really PLAY this game, and offer Ansimus some helpful critiquing. It will only make the final version as good as we all know this game CAN be.
Wicked Basement gives Elliot Quest a 4/10.
[PLAY IT HERE]

Growing up with Seedling.

In 2012, developer Connor Ullman released a game called "Seedling" which revisited the aesthetics of games like Zelda, Arkistas Ring, and the DQ series. Renamed from the beta "Shrum" title, Seedling is easily one of my favorite neoclassic indie games. The ominous music composed by Rekcahdam sets players in a dreamlike world where lands are to be explored, monsters destroyed, and treasure found. 

Seedling follows the very classic tambour of overhead action-adventure games. Players begin in their home village, seek out cryptic clues from friendly NPC's, gain power ups and unlock 100+ areas and dungeons to progress further. Each screen is carefully crafted to suit the storyline, keeping players learning along the entire 3-5 hours it should take to beat this game. Like some of it's "Nintendo hard" adventure game predecessors, Seedling NPC's offer minimal advice to the main character, which for some players has been frustrating. When Ullman received this feedback from the stuck/lost, he commented "You're not stuck, you're just not much of an adventurer." 

THAT fucking rules. 

In fact, Ullman has released an entire expo on his process while creating, releasing, and answering feedback to the game. [Read Here]

Seedling's bosses are generally pretty easy. Getting to them can be a bit challenging (especially in Basiniad//Lava World) but the overwhelming fun of this game and it's puzzles is anything but frustrating. The elements of "wander around" are certainly celebrated in Seedling. The whole way through, I was falling in love, experiencing nostalgia, taking breaks and reading up on easter eggs/hidden features online. It reminded me of that Xmas game you got and played obsessively all the way through winter vacation until school was back in session. The game WAS your vacation. The world was real for a fleeting moment.

Wicked Basement gives Seedling a 8/10

This game is certainly a wonderful homage, full of originality, smooth gameplay, and a very full world.

Enjoy!

[Play it HERE]

A quick spoileresque tip for the end of the game, which was my only complaint. You must knock the owl boss into the lava pit 3 SEPARATE times after it has gone to it's nest. Players can knock it into the lava for hours and it will accomplish nothing if the boss has not "sat down" three times. This had me fighting the owl endlessly, until I finally read up on this small issue. So take your time, he/she is a surprisingly easy boss for the finale.

-Nintendo Entertainment System-

Splatter House: Wanpaku (naughty) Graffiti [J] is the definition of Nintendo Hard Level: Fucking Arbitrary.

Before there was Rick, the zombie killing ex-sherriff who leads a ragtag group of idiots though post apocalyptic Atlanta, there was Rick, the hockey-mask wearing, undead slaying, Mansion wrecking muscle man who tore through the beat-em-up platformer genre like a hot cleaver through a corpse…

---But before even THAT, was a game so ignored by later versions of it's own franchise that only the deepest, dankest basements in JAPAN are known to house it. A game so silly, so Nintendo Hard, so "Japaneezee" that it seems SplatterHouse overcompensated for the rest of it's history in efforts to keep this title down. Ladies and Gentlemen, SplatterHouse: Wanpaku Graffiti.

So we all know the story…

Rick's girlfriend is stolen and he has to fight zombies, blob-men, and vampires to get her back. Where Wanpaku is different is that all characters are comically super deformed, Rick is apparently undead himself, and bosses are hilarious caricatures of western pop iconography (mostly Hollywood and Michael Jackson).

This game blows. Yes, BLOWS. There are fun parts and the hack n' slash is amusing but players are given only ONE LIFE to wreck this whole game. There are continues which start you back at level's beginning and it takes just a few enemy collisions to send you into Game Over rage. On it's surface, S:WG seems like a totally easy game, and it is, but given the perimeters in which players are forced to progress, the game just ends up being turned off before anything meaningful happens. Codes are given to "save" a game, yet Rick starts back up from a continue with one life, so really it's a total crapshoot.

Mostly it is a typical side scrolling platformer. Kill creatures, collect health via candies, and try not to throw your laptop/Famicom out the window. Wicked Basement gives this game a 3/10 (notice the image above? ehhhh????) but we wanted our readers to at least enjoy the concept that Rick from SplatterHouse was first a cutesy, Jason knock-off who fought Michael Jackson Dracula and totally blew it on his first game. The Horror!

[Play it HERE]